The Print Council of America
is an incorporated non-profit organization with elected membership, officers
and a board of directors. Membership in the Council is achieved through
a process of nomination by existing Council members and review/approval
by the board of directors at their semi-annual meetings.
The Print Council of America
is a professional organization of print specialists with a current membership
of over 200 individuals most of whom represent collections of works of
art on paper throughout the United States and Canada. While the organization
is comprised primarily of museum curators, it also includes university
professors, conservators of works on paper, and independent scholars with
a strong commitment to the study of prints.
The
Print Council of America was founded in 1956 by a small group of museum
curators, scholars, artists, collectors, and dealers with a mission to
"foster the creation, dissemination, and appreciation of fine prints,
old and new." Led by the legendary print collector Lessing J. Rosenwald,
founders and early members of the group included individuals well-known
for the roles they played in establishing public collections, mounting
ground-breaking exhibitions of prints, and publishing critical studies
of prints and printmakers. Adelyn Breeskin, Harold Joachim, Una Johnson,
A. Hyatt Mayor, Elizabeth Mongan, Jakob Rosenberg, Paul J. Sachs, Carl
Schniewind, and Carl Zigrosser were all early members of Print Council
of America.
In
its initial years the Print Council was devoted to raising the visibility
of printmaking as a fine art medium, and it played a strong advocacy role
in providing educational information about prints, in supporting artists,
and in promoting the creation and enactment of legislation relating to
fraudulent practices in the print marketplace. More recently Print Council
has served as a professional organization for print curators and has been
especially active in the publication of books and research aids intended
to encourage and professionalize the preservation, administration, and
study of print collections in the United States and Canada. Equally important,
the Print Council now provides a forum for print curators and other specialists
to meet, share ideas, debate issues, update each other on work in progress,
and discuss and implement Council projects. For fifty years, the Print
Council of America has provided an environment for good will and cooperation
among professionals dealing with works of art on paper.
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